Natalie Stopka is an artist and educator focused on the material history of color and sustainable studio practice. She captures material and elemental interactions in her collaborative, experimental art practice. Her drawings and prints incorporate plant dyes and historical pigments, which provide a seasonally evolving vocabulary of texture and color. Natalie’s freelance studio and dye garden are located in Yonkers, New York. She holds a BFA from the Rhode Island School of Design and MFA from the University of New Mexico, Albuquerque. www.nataliestopka.com @nataliestopka

Julie Beeler is an acclaimed designer, artist, and educator inspired by the natural world. Her work has been featured by The New York Times, Popular Science, The Smithsonian Institution and The Royal Botanic Gardens, Kew, among others.

Julie created the Mushroom Color Atlas website to unveil and celebrate the resplendent chromatic universe hidden within the fungi kingdom, making it accessible to people around the world. Her book The Mushroom Color Atlas, recently published by Chronicle Books, is a comprehensive  primer on the universe of colors lurking inside fungi. It is equal parts art book, field guide, and dye-making workshop. In every form her effort  is a timeless reference that will be used for years to come. 

After a 20-year career at the vanguard of interactive design, Julie founded Bloom & Dye, a natural dye studio and farm in the Pacific Northwest ideally situated for foraging mushrooms, growing fresh-cut color, and creating fine art.

Lucy Mayes is an artist and pigment maker & researcher working in London and Hampshire. Her work as ‘London Pigment’ uses urban waste stream materials to make recycled pigment. Her practice is centred on the use of unusual, surprising or esoteric raw materials to make colour as a way of documenting events or ‘happenings’. Verdigris made from copper wire stripped from burnt-out mopeds, soot and ash from park fires and construction rubble have all been used in her work to make new pigments. Her colour-making practice centres on creating sustainable pigments from anthropocene waste streams. She works in the capacity of pigment/colour consultant and has worked with Neptune Interiors Ltd, Jaguar Land Rover, Royal Cornwall Museum, V&A, Kew Gardens on pigment projects. She previously worked as product developer and pigment specialist at renowned colourman L.Cornelissen & Son where she developed their historical pigment archive. She teaches pigment making at institutions nationally and hopes to re-orientate our connections to colour; through the creation of intimate relationships with matter formed through embodied making.

Flora is a natural colour maker, forager, illustrator, designer, and online learning enthusiast. She lives on the western edge of Dartmoor, where she grows, forages, and makes colour. She loves to experiment with making dye, print, and drawing materials for textiles and paper, developing new recipes and testing out plants. Her work is about place based natural colour making, and education. She is passionate about making plant based colour application processes for textiles and paper more accessible through online courses and events on this website as well as programming guest teachers on her learning platform plantsandcolour.com. Encouraging you to work with locally available plants to make vibrant and enduring colours for craft, art, and design practices.